This is a very rare and stunning little orphaned coffeecup made by Derby in about 1790. The cup has a white ground, simple gilt rims and a stunning named mountain landscape painted by Zachariah Boreman.
 
The Derby factory, later reshaped into Royal Crown Derby, is currently the oldest British porcelain factory still in production. Derby was one of the most prominent potteries right from the start of English porcelain production in the mid 1700s to today. Their items are of exceptionally high quality and many of the designs have become iconic, particularly the Imari designs; many of these are still being made today. Derby made many exciting designs in the Regency era, and this cup, which would have belonged to a large tea service, is a beautiful example. The marking at the underside indicates that the cup was produced some time between 1782 and 1800, however the style is from the mid-1790s.
 
Zachariah Boreman was one of the most celebrated painters at Derby.  He arrived at Derby around 1774 after working at Chelsea, and remained until 1794, when he left in frustration with Michale Kean, the owner. Even though Boreman became one of the prime landscape painters at Derby, Kean would not pay him more and this caused Boreman to go back to London and work for the Simms decorating studio. Boreman was most probably influenced by Paul Sandby, the chief drawing instructor at the Royal Military Academy at Woolwich. His style is restrained, with often muted brown and green shades; in Boreman's landscapes, less is more although his drawing and stippled brush style is extraordinarily detailed.
 
The painting is named: "Near Cromford Derby", as written in blue on the underside.

The cup is marked with the hand painted blue crowned Derby mark that was used between 1782 and 1800, as well as an impressed Z and the named landscape.
The cup has provenance: it came from the collection of Dr John Freeman, one of the founders of the Derby Porcelain Society and a specialist in Derby porcelain. 
 
PROVENANCE: private collection by descent from Dr John Freeman
 
CONDITION REPORT The cup is in excellent antique condition except some light wear as visible in the pictures.
 
Antique British porcelain is never perfect. Kilns were fired on coal in the 1800s, and this meant that china from that period can have some firing specks from flying particles. British makers were also known for their experimentation, and sometimes this resulted in technically imperfect results. Due to the shrinkage in the kiln, items can have small firing lines or develop crazing over time, which should not be seen as damage but as an imperfection of the maker's recipes, probably unknown at the time of making. Items have often been used for many years and can have normal signs of wear, and gilt can have signs of slight disintegration even if never handled. I will reflect any damage, repairs, obvious stress marks, crazing or heavy wear in the item description but some minor scratches, nicks, stains and gilt disintegration can be normal for vintage items and need to be taken into account.
 
There is widespread confusion on the internet about the difference between chips and nicks, or hairlines and cracks. I will reflect any damage as truthfully as I can, i.e. a nick is a tiny bit of damage smaller than 1mm and a chip is something you can easily see with the eye; a glazing line is a break in the glazing only; hairline is extremely tight and/or superficial and not picked up by the finger; and a crack is obvious both to the eye and the finger. Etcetera - I try to be as accurate as I can and please feel free to ask questions or request more detailed pictures!
 
DIMENSIONS 6.3cm (2.5") diameter and 7cm (2.75") high.